After the Lightning, Xindian

After the Lightning, Xindian, Ink on Brown Paper, 19.5 x 27cm,2016 by David Lloyd

Ink on Brown Paper, 19.5 x 27 cm, 2016

This tree was also drawn on a hike with my wife and friend in Xindian, Taipei City, Taiwan. I found this tree at the peak of the trail and drew it “en plein air” as we rested and enjoyed the views for a while. The trunk of the tree looks like it has been struck by lightning and broken in half with the charred remains surviving. The jagged shapes and textures were very interesting to me and I was drawn towards it. I also liked the shape of the branches stretching away from the trunk and find it quite amazing that it can still survive after being so severely burnt. Only nature knows how.

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Branching Out, Xindian

Branching Out, Xindian, Ink on Brown Paper, 19.5 x 27cm, 2016 by David Lloyd

Ink on Brown Paper, 19.5 x 27 cm, 2016

This tree branch was drawn on a hike with my wife and friend in Xindian, Taipei City, Taiwan. I found this tree at the peak of the trail and drew it “en plein air” as we rested and enjoyed the views for a while. The trunk of the tree looks like it has been struck by lightning and broken in half with the charred remains surviving. The jagged shapes and textures were very interesting to me and I was drawn towards it.I also liked the shape of the branches stretching away from the trunk and find it quite amazing that it can still survive after being so severely burnt. Only nature knows how.

Ian Andain Portrait Commission

Ian Andain Finished Portrait 2016

Oil on Canvas, 46 x 60 cm, 2016

This Oil Painting on Canvas was done as a Portrait Commission for the subject’s 70th Birthday in 2017. It was commissioned as a surprise by his brother and was very bravely unveiled at Ian’s 70th Birthday Party in front of many of his friends before he had seen it! I feel very honoured to have been a part of this special celebration. I completed this Portrait from September to November 2016 working from photographic references. I really enjoyed painting this Portrait and I find that changing my subjects and mediums helps to improve my understanding and ability with different materials and techniques. I am very happy with the outcome of this portrait and tried to use new techniques and glaze mediums on it.

Night Time Shadows

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Acrylic on Paper, 30 x 21 cm, 19/12/16

This is a view of an Alley that can be seen from my flat in Nangang, Taipei City that I have wanted to paint for a while. I find the combinations of colours and angles very interesting and it seems to shine or glow out of the darkness of its’ surroundings. There are also many different shades and shadows cast across the scene that add to it’s attraction for me. Every time I look out of the window it catches my eye because there seems to be so much going on in such a small area. I painted it from my balcony and used very thin layers of Acrylic Paint to build it up, giving it the soft almost blurry effect. I avoided redefining the edges to keep this softer focus as I wanted to try something different from my previous works.

The Sky’s The Limit?

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Pastel on Paper, 30.5 x 23 cm, 18/12/16

This picture was inspired by the sun setting over Taipei City one Sunday afternoon. It was drawn from my balcony and started as an attempt to capture the beautiful colours of the setting sun in the sky before they disappeared into the night. As I drew the grey silhouettes of the skyline I wanted to add something that would contrast with these colours. Taipei City is an ever-growing fast paced city and there is always something new being built. The three buildings in progress were just a few of the many ongoing projects that I could see on the skyline. In mankind’s never ending quest for development, it could be asked when will it be enough?

Yang Ming Mountain, Taipei City

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Pastel on Paper, 30.5 x 23 cm, 18/12/16

This is a view of the Yang Ming Mountain range in Taipei City, Taiwan. I drew it from the balcony of my flat on a bright sunny day just before sunset. The mountains were very clear on this day and the colours and shadows were changing as the sun started to set adding more warm oranges into the mix. The sky was very clear with just a few clouds floating by. I like to experiment with different mediums and try to learn the unique qualities of each of them. I find pastels are good for blending colours but can also give a heavier effect if left raw and unblended.

Misty Morning, Sun Moon Lake

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Acrylic on Black Paper, 20.5 x 14.5 cm, 17/12/16

My wife and I woke up early to see the sunrise on the lake on this day, as you can see, there wasn’t one! It was a very cold and misty morning and the fog cut down the visibility so much that we couldn’t see across the lake. What we could see still looked very beautiful as the fog gave it a mysterious feeling, making the mountains appear and disappear into the mist. You can see a fishing platform with a small hut and a winch in the water, there are many of these platforms around this beautiful lake.