After the Lightning, Xindian

After the Lightning, Xindian, Ink on Brown Paper, 19.5 x 27cm,2016 by David Lloyd

Ink on Brown Paper, 19.5 x 27 cm, 2016

This tree was also drawn on a hike with my wife and friend in Xindian, Taipei City, Taiwan. I found this tree at the peak of the trail and drew it “en plein air” as we rested and enjoyed the views for a while. The trunk of the tree looks like it has been struck by lightning and broken in half with the charred remains surviving. The jagged shapes and textures were very interesting to me and I was drawn towards it. I also liked the shape of the branches stretching away from the trunk and find it quite amazing that it can still survive after being so severely burnt. Only nature knows how.

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Branching Out, Xindian

Branching Out, Xindian, Ink on Brown Paper, 19.5 x 27cm, 2016 by David Lloyd

Ink on Brown Paper, 19.5 x 27 cm, 2016

This tree branch was drawn on a hike with my wife and friend in Xindian, Taipei City, Taiwan. I found this tree at the peak of the trail and drew it “en plein air” as we rested and enjoyed the views for a while. The trunk of the tree looks like it has been struck by lightning and broken in half with the charred remains surviving. The jagged shapes and textures were very interesting to me and I was drawn towards it.I also liked the shape of the branches stretching away from the trunk and find it quite amazing that it can still survive after being so severely burnt. Only nature knows how.

Tree, Early Morning Light, San Jose

 

Tree, Early Morning Light, San Jose, California, 30 x 21cm, Acrylic on Paper, 17-21:6:2017, by David Lloyd

                                           Acrylic on Paper, 30 x 21 cm, June 2017                                                             This painting was done “en plein air” over three early morning sessions in San Jose, California. It was painted whilst I was staying with relatives in San Jose. I was struck by the strange beauty and shape of this tree and also the beautiful crispness of the morning light in California. I painted it over three sessions because the light would change as the sun rose higher and changed the colours and shadows of the sky and branches of the tree. I built up the detail of this painting by overlaying and adding thin layers of transparent Acrylic paint on top of each other.

Carmel Beach, California

Carmel Beach,California, 27 x 19.5cm, Oil Pastel on Brown Paper, 17:6:17, by David Lloyd

Oil Pastel on Brown Paper, 27 x 19.5 cm, 17/6/17 

This Oil Pastel on Brown Paper drawing was done on a day trip to the very special town of Carmel, California. It was my first visit here and as we arrived I was surprised by the unique beauty of the houses and roads that seemed to have been built as part of the surrounding forest. The town centre is full of Art Galleries and has lots of unique architecture. This drawing was done whilst sitting on the beach during a brief visit with family. The waves were quite strong and choppy, creating a lot of white water and mist, which was a nice contrast to the deep blues and greens of the Pacific Ocean.

Jerry Filming John, Tienmu, Taiwan

Jerry Filming John 2, Tienmu, Ink on Brown Paper, 19.5 x 27 cm, 1:6:17 by David Lloyd

Ink on Brown Paper, 19.5 x 27 cm, 1/6/17

This Ink drawing was done just after the previous one and is of my old Taiwanese friend Jerry filming another good old friend called John Richardson. This picture was drawn while Jerry was stationery for a few moments as he prepared to follow John with the camera. It was easier to capture the filmer than the the skater as the movement was less for the most part!

Jerry Filming John, Tienmu, Taiwan

Jerry Filming John, Tienmu, Ink on Brown Paper,27 x 19.5 cm, 1:6:17 by David Lloyd

Ink on Brown Paper, 27 x 19.5 cm, 1/6/17

This is an Ink sketch of two good old friends of mine John and Jerry, it was done during a day of street skating in Tienmu, Taiwan. It was drawn from life near the end of the day when my legs had said “enough skating” and they were filming a line of tricks, hence the extra arm on John during his trick! He was doing a trick called a Nollie Backside Tailslide on the ledge and I tried to draw him in action, which was very difficult because of the ever changing body shape and position of each attempt he had. It is always a challenge to try to capture someone in motion and this was possibly the most difficult challenge I’ve had as the trick and motion was over in a matter of seconds. A lot of fun though!

Misty Day, Tongariro National Park

misty-day-tongariro-national-park-from-ferguson-unit-8-chateaux-tongariro-new-zealand-15117-acrylic-on-paper-30-x-21cm-david-lloyd

Acrylic on Paper, 30 x 21 cm, 15/1/17 

As the title suggests this painting was done on a misty day from inside Ferguson Unit 8, Chateaux Tongariro, New Zealand. This is actually the same view as the previous painting, painted from the same spot, but as it was so misty I decided to focus on the few trees, bushes and vegetation that I could actually see! This was our second day in this National Park and as you can see the weather changed from very clear to not so clear very quickly! Personally, I enjoy seeing and feeling the different types of weather (as we can’t control it) and always try to make the most of it and enjoy it as much as I can. Whilst painting this scene I was also fortunate to see many birds and rabbits come out to search for food and play in the rain. As you can see, I tried to show an example of these native creatures in the picture, this was actually much harder than you may think as they constantly kept moving and changing position as I stubbornly tried to capture their likeness in paint. It was a fun challenge that made me realise how much easier it is to capture trees than moving objects! Haha!